“The gold standard of reissue distributors” — Kenneth Turan, Los Angeles Times
"Rialto has made—and continues to make—a tremendous contribution to film culture in the United States." — David Schwartz, Chief Curator, Museum of the Moving Image, New York
Rialto was founded in 1997 by Bruce Goldstein, who was joined a year later by partner Adrienne Halpern. In 2002, Eric Di Bernardo became the company’s National Sales Director. Dave Franklin is the company’s marketing and distribution manager.
Since its founding over 25 years ago, Rialto has reissued more than 150 films in new 35mm prints or digital restorations, with fresh new marketing (trailers, posters, etc.) and, in the case of foreign language films, brand new translations and subtitles. Rialto’s past releases have included Renoir’s Grand Illusion; Fellini’s Nights of Cabiria (for the first time in its “director’s cut”); Jules Dassin’s Rififi; Godard’s Breathless, Contempt, Band of Outsiders, Pierrot Le Fou, Masculine Feminine, Le Petit Soldat, Alphaville, and the U.S. premiere of his Made in U.S.A.; Carol Reed’s The Third Man; Kurosawa’s Ran; Bresson’s Au Hasard Balthazar and Diary of a Country Priest; Resnais' Last Year at Marienbad and Hiroshima Mon Amour; the Ealing classics The Ladykillers and Kind Hearts and Coronets; Joseph Losey’s The Servant and Mr. Klein; as well as the U.S. premieres of the original, uncut Japanese version of Godzilla; the complete, uncut version of Jean-Pierre Melville’s Le Cercle Rouge; Melville’s Army of Shadows, which became the most critically acclaimed film of 2006 (and winner of the New York Film Critics Circle Best Foreign Language Film award, 37 years after it was made); and the uncut version of Francesco Rosi’s Christ Stopped at Eboli. In 2021, Rialto released Jacques Deray’s La Piscine, which became a post-pandemic repertory sensation covered by the New York Times “Style” section, The Times of London, Le Figaro in France, and French public radio.